Robert Allan Miller hated double parkers so much that he left money in his will to the city of Bethlehem, PA for a fund that would reward police officers who ticketed double-parked cars.
However, the city had to turn down the bequest due to their policy of not giving officers incentives for ticket-writing. (Which surprises me, since I figured municipal police depts used all kinds of ways to encourage officers to write tickets.)
Interesting concept, as a gimmick. Though it seems like an impractical way to listen to music, and an expensive way to have a lollipop. No wonder it's no longer being made.
Posted By: Alex - Sun Dec 30, 2018 -
Comments (1)
Category: Toys, 1990s
Eau de Musc proudly features an old-world flavoring technique that uses the oil extract from the castor gland of the North American beaver, which exudes a leathery, raspberry taste, and acts to fortify the whiskey flavors.
February 1976: a performance art group calling itself Ddart walked around the Norfolk countryside for a week carrying on their heads a ten foot pole supported by hats resembling ice cream cones. They called this performance 'Circular Walk.' The UK Arts Council paid them £395 for this.
The trio never really explained what the intended meaning of this was, except for the following brief statement later provided by Ray Richards, a member of the group:
The pole was worn for many reasons, one of which was to attract attention... we walked around a huge, 150-mile circumference circle as precisely as possible using existing roads, tracks and pathways - thus creating a gigantic but transient piece of sculpture. The pole was worn at all times whilst walking and each evening we did a short performance about the circular walk in a pub en route.
More controversial was why the Arts Council had paid for it. John Walker, author of Art & Outrage, provides some details:
Adrian Henri, the Liverpool poet, painter and author of Environments and Happenings (19 74), was a member of the Arts Council panel which awarded the grant. He thought it was a small price to pay for three men working twenty-four hours a day to provide a week's entertainment. Henri was one of the few who praised the 'real movement sculpture' on the grounds that it was 'pure and beautiful'. David Archer, publican of the Ferry Inn, Reedham, disagreed: he described Ddart's ten minute act as 'an up and down thing without music' which left him and his 15 customers cold.
Mary Connors is best known for what she failed to achieve. She repeatedly tried to cross the River Avon by being fired across it in a cannon, and she kept ending up in the river.
She first tried in 1974, and failed three times in a row. When she then tried to cross the river using a rope and pulley, the pulley jammed, sending her once again into the water.
She tried again in 1976. Once again, she ended up swimming. I think, overall, she made five failed attempts, and never succeeded.
Another highlight of her career was that in 1975 she performed the human cannonball act topless, and she did get that right.
It's hard to see what this thing did, other than revolve around the fake Earth. Swing up and down, maybe? I assume there was a counterbalancing capsule on the other end of the boom.
Plus, 300 riders per hour? Three in each capsule, as shown. Six total per "ride." That's fifty rides per hour, given filling and emptying the capsules. One minute swinging around at the end of a boom?
Alex Boese
Alex is the creator and curator of the Museum of Hoaxes. He's also the author of various weird, non-fiction books such as Elephants on Acid.
Paul Di Filippo
Paul has been paid to put weird ideas into fictional form for over thirty years, in his career as a noted science fiction writer. He has recently begun blogging on many curious topics with three fellow writers at The Inferior 4+1.
Chuck Shepherd
Chuck is the purveyor of News of the Weird, the syndicated column which for decades has set the gold-standard for reporting on oddities and the bizarre.
Our banner was drawn by the legendary underground cartoonist Rick Altergott.