It took a month to experience the proper technique; first she tried with the “crushed” leather without many results; She then dealt with the roasted guinea pig and the taste was not as expected. Until she did it by cooking the whole meat in water. This should boil for at least 2 hours, until the liquid is reduced “to about 15 milliliters,” says María del Carmen. Then you have to wait for it to cool down so that it can be liquefied and left as a pate.

The smoothie guinea pig mixes it with a fruit, that was also part of the experimentation, since not with all it turns out well, but she discovered that with the naranjilla or the passion fruit, also cooked, the flavor is at its point. The rest of the process is like preparing a “normal” ice cream, whipping the cream, increasing the puree of the guinea pig with that of the fruit and adding the condensed milk. After a day of staying in the freezer you are ready to serve.

The entrepreneur adds sprinkled peanuts as a dressing, to remind the 'fans' of the guinea pig, the typical dish that is served with peanut sauce.

The term Dark Side of the Rainbow denotes a peculiar pattern of thematic similarities that can be discerned while one is watching The Wizard of Oz while simultaneously listening to The Dark Side of the Moon. With the aid of this somewhat unusual procedure, over a hundred instances of perceived interplay have been reported by fans.

It is not known who first established this pattern of thematic similarities, but from 1994 onwards it was widely discussed on internet sites such as the Usenet message board alt.music.pink-floyd and in the popular media.

As the Pink Floyd band members (save Roger Waters) have always denied deliberate attempts to synchronize their album with the movie, the Dark Side of the Rainbow is commonly designated as a cognitive illusion and attributed to a process called apophenia, i.e. an excess of perceptual or heuristic sensitivity leading to the discernment of patterns or connections in random or meaningless data.

while the headline... says ‘mother’ the illustration suggests something rather different. Traditionally American motherhood is, stereotypically speaking, wholesome and fairly innocent, yet the look on the model’s face is neither especially innocent nor entirely wholesome. Indeed, as Kathleen Barry has pointed out, her ‘atypical stare and casual posture conveyed smoldering sexuality rather than maternal concern’. ‘Mother’s world’ is about housework and children, it is not supposed to be erotic—indeed, the worlds are usually separate—yet the expression on the model’s face is alluring and flirtatious. The associations here are more complex than the headline and body copy would suggest, so that the word ‘mother’ in the headline both invokes and denies the associations of motherhood. This ‘inner contradiction’ between copy and illustration is a rhetorical device used constantly in advertising to play on the opposition between appearance and reality, to create in effect double meaning or paradox. The paradox... is that the illustration shows us an attractive female model, but the copy asks us to ‘Think of her as (our) mother’. These jarring ideas create the appeal of the advertisement; the inner contradiction makes us take notice. However, paradox also means that apparent difference conceals real similarity: she may be attractive and alluring, but she is also your mother.

How do the deaf signal applause? After all, they cannot hear the gratifying sound produced by applause. The answer is that they have adopted their own unique method of signaling enjoyment or approval. They raise their hands to shoulder or head height, palms outward, and shake them with a fast, almost shivering-like motion. Seeing an audience waggling their hands in that fashion can be just as rewarding as hearing a thundering round of applause.