Debbie Drake’s The Debbie Drake Show went national in 1961 and warned female viewers about the consequences of an unhappy marriage if they did not take care of their bodies. Drake’s media outreach included a newspaper column titled “Date with Debbie,” exercise albums and books, and a Barbie-like doll sold by Sears in the early 60s. Alluring and wearing a tight-fitting leotard that emphasized her incredible figure, Drake was reported as being more distracting than encouraging as a fitness instructor. No doubt this was aided by the fact that many stations broadcast her show at off hours, guaranteeing larger numbers of male viewers who appreciated her sexual appeal.

Chicago's great fair had the Ferris wheel and Paris had the Eiffel tower. What will be the chiefest "dominant extraneous feature" of the Pam American exposition, which will be held at Buffalo on the Niagara Frontier in the summer of 1901 is not yet known, but there will be a number of features of special interest…

[An] idea, which was born in the brain of a man of biblical mould, is that of the "Jonah" theatre, and the submitted plan calls for the construction of a mammoth whale: a whale of iron and steel, which is to lie anchored in shallow water near the banks of the exposition. Dainty ferry boats are to play between the shore and the mouth of the simile of the floating Standard Oil company of former days, and those cheerful ones who live to enjoy themselves in strange ways are to be ferried from the shore to the tongue of the floater. There a smooth young man will have his hands crossed with silver and after this transaction the passengers will be at liberty to walk down the whale's tongue to the room where for three days and three nights Jonah sat and mourned the day that he became a Populist.

In that section all will be light and cool and cheerful, and on a stage vaudevillians will kick and sing and cavort and musicians will add to the gaiety of the scene and will make many believe that the ancient stories of Jonah's troubles were much overrated.

[In 1964], Kellogg signed Jimmy Durante to launch Corn Flakes and Instant Bananas with an update of one of his standard songs. Seated at the piano, the old vaudevillian belted out, "Yes, we now have bananas…" Sales were brisk for a few months, then dropped like a rock, as store owners like I.J. Salkin complained that the product tasted like "cardboard discs in a box." Burnett commercial director Rudy Behlmer agreed. "Those little banana wafers looked like holy communion wafers. When you put milk on them, they started to look dark and mushy."

In 1966, Kellogg pulled the plug on Corn Flakes and Instant Bananas. "We tested the market carefully, we tried, we failed, and we're getting out of the market," Kellogg's Ken Englert told Consumer Advertising magazine. Without informing the star of their decision, Kellogg decided to move Durante over from Instant Bananas to Kellogg's main line, Corn Flakes. "Everything was kept quiet until Carl Hixon [a Burnett writer] and myself went to New York to shoot him in a couple of commercials for Kellogg's Corn Flakes," recalled commercial director Rudy Behlmer. "Suddenly he looks at the [story] boards and he says, 'Where are da bananas?' and we said, 'Well, Jimmy… this is without bananas,' and he said, 'No bananas, no Durante.'"