Kent widely touted its "famous micronite filter" and promised consumers the "greatest health protection in history". Sales of Kent skyrocketed, and it has been estimated that in Kent's first four years on the market, Lorillard sold some 13 billion Kent cigarettes. From March 1952 until at least May 1956, however, the Micronite filter in Kent cigarettes contained compressed carcinogenic blue asbestos within the crimped crepe paper. It has been suspected that many cases of mesothelioma have been caused specifically by smoking the original Kent cigarettes.

[The nineteenth century] was an age when sensibilities grew so delicate that one lady was reported to have dressed her goldfish in miniature suits for the sake of propriety and a certain Madame de la Bresse left her fortune to provide clothing for the snowmen of Paris.

When noted prude Madame de la Bresse passed away in 1876, she instructed in her will that all 125,000 francs (about $22,500 today) of her fortune were to only be spent putting clothes on the vulgar and offensive naked snowmen in the streets. This bizarre bequest may have had something to do with a certain celebrated snow statue made during the later part of her life in 1870...

The date was December 8, 1870. Snow began to cover Paris. Bored officers threw snowballs, and some of the soldier-artists began to make snow sculptures. Before long, the snowballs became monumental snow statues. One soldier, Alexandre Falguière, channeled his angst of his home city being attacked by creating La Résistance, a colossal snow woman, which was constructed in a mere two to three hours with the help of others.

Although the artist Moulin built a huge snow-bust nearby, it was twenty-nine-year-old Falguière's snow woman that attracted the press to visit the site...

The snow woman was light in the bosom yet clearly blessed with a female face. She had broad shoulders with folded muscular arms and possessed an able-bodied, World Wrestling Federation savoir faire, which suggests Falguière compared the Prussian siege of Paris with the sexual aggression of a relentless female refusing to succumb (La Résistance).

The apparatus includes a supporting platform having a Y-type shape and including an upper beam configured for extending between a nose bridge and a forehead of the patient and for positioning on the forehead, a left leg and a right leg coupled to the upper beam, and configured for straddling a nose bridge of the patient and for positioning on patient's left and right cheeks, and a cross-arm mounted on the upper beam of the supporting platform. The apparatus also includes an opening assembly mounted on the cross-arm and configured for pulling an upper eyelid up for exposing an eye and retaining the eye of the patient in the open position.