The ad below, in which trial lawyer Melvin Belli endorsed Glenfiddich scotch, ran in the New York Times and New York Magazine in early 1970. Taken at face value, it doesn't seem like a particularly noteworthy ad. However, it occupies a curious place in legal history.
Before the 1970s, it was illegal for lawyers to advertise their services. So when Belli appeared in this ad, the California State Bar decided he had run afoul of this law — even though he hadn't directly advertised his services. It suspended his license for a year. The California Supreme Court later lowered this to a 30-day suspension — but it didn't dismiss the punishment entirely.
Some high-placed judges felt sympathetic to Belli, which added fuel to the movement to end the 'no advertising' law for lawyers, and by 1977, the Supreme Court had struck down the ban on advertising, saying that it violated the First Amendment. That's why ads for legal services now appear all over the place. Compared to the ads one sees nowadays, Belli's scotch endorsement really seems like no big deal at all.
What size of empty container was used to make that ice cylinder for the Pepsi bottle, and what size freezer could accommodate it? Only commercial units. How many hours would you have to prolong your sipping, to justify the creation of that ridiculous amount of ice for cooling one bottle of Pepsi? And was this gal the only one at the bonfire to receive such a treat? So many questions...
Miss nude America: Mrs. Peter Boisclair; 22; poses for photographers at Toronto International Airport on her return home after winning Miss Nude America title at Naked City; Ind.; Saturday. In contest she wore shoes; hard hat.
Source: The Salt Lake Tribune (Salt Lake City, Utah)03 Aug 1969, Sun Page 14
This has been circulating around for a while, but it was new to me so perhaps it'll be new to others as well.
In one scene during 2001: A Space Odyssey, the character of Dr. Heywood Floyd uses a "zero gravity toilet" while he's on the space station. He's shown briefly examining the lengthy list of instructions on the wall next to the toilet.
Stanley Kubrick was so obsessive over details that, instead of using gobbledygook, placeholder text for the sign, he actually had someone create a list of toilet instructions. Film buffs have extracted this text, and it's available for purchase as a poster (perhaps to hang in your bathroom) or printed on a t-shirt. (I won't link to any specific retailers, but they're easy enough to find using Google).
Far Out magazine suggests the zero-gravity toilet instructions may have deeper meaning within the broader context of the film:
Perhaps, thus the ‘zero-gravity’ toilet instruction is the only intentional joke in the film. In a scene aboard the space station, Floyd is seen peering at a detailed and convoluted instruction manual on the use of the zero-gravity toilet. Kubrick’s disdain of instructions for the understanding of the film highlights the irony of a page long instructions from the zero-gravity toilets. In an interview, Kubrick’s explained the zero-gravity toilet was the only intentional joke in the film. That evolution and technological advancement would lead to convoluting of tending to basic human needs is well worth a snigger. Despite its ambiguity, Kubrick doesn’t “want to spell out a verbal roadmap for 2001”. Kubrick’s film doesn’t come with an instruction manual, but the zero-gravity toilet does.
Soundblast was a 1956 album by the duo Arthur Ferrante and Louis Teicher who met while studying at the Juilliard School of Music. It was marketed as space-age music representative of the kind of music that inhabitants of the "remotest worlds" might listen to.
But the real gimmick of the album was that all the sounds on it, including the percussion, was produced by pianos. Details from the Miami News (Nov 17, 1957):
They perform their hi-fi-jinks on two "gimmicked" Steinways by alternately muting, plucking, strumming and beating on the strings. What comes out they describe as the "sound of tomorrow."
Nor does either of them hesitate to use his elbow, forearms or knuckles to elicit a desired chordal effect—not to mention an assortment of wooden and metal gadgets designed to give the pianos a new personality...
Their goal always is to achieve the maximum tonal contrasts and to simulate orchestral color as vividly as possible within the limitations of pianistic dynamics.
Alex Boese
Alex is the creator and curator of the Museum of Hoaxes. He's also the author of various weird, non-fiction books such as Elephants on Acid.
Paul Di Filippo
Paul has been paid to put weird ideas into fictional form for over thirty years, in his career as a noted science fiction writer. He has recently begun blogging on many curious topics with three fellow writers at The Inferior 4+1.
Chuck Shepherd
Chuck is the purveyor of News of the Weird, the syndicated column which for decades has set the gold-standard for reporting on oddities and the bizarre.
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