My invention relates to orthopedic appliances and has particular reference to an appliance adapted to be worn by the user, after retiring, whereby certain facial muscles will be trained to gradually produce the permanent effect of a smile on the countenance of the person using the appliance. The primary object of the invention is to produce such an effect and to counteract the sagging of the muscles around the corners of the mouth, due in most cases to advancing years.

Another object of the invention is to provide an appliance which will gradually train the muscles at the corners of the mouth into the position assumed by the act of smiling, without inconvenience to the user.

A milk drinking contest, conducted in the good old fashioned way, right out of a nursing bottle with a rubber nipple

The Russian avant-garde composer and theorist, Arseny Mikhailovich Avraamov is probably best known for his "Simfoniya Gudkov" or "Symphony of Sirens" (November 7, 1922, Baku, USSR – an epic production which involved a score that coordinated navy ship sirens and whistles, bus and car horns, factory sirens, cannons, the foghorns of the entire Soviet flotilla of the Caspian Sea, artillery guns, machine guns, seaplanes, a specially designed "whistle main," and renderings of Internationale and Marseillaise by a mass band and choir.)

Arseny Avraamov... in 1922 performed his 'Symphony of Factory Sirens' in Baku in order to celebrate the fifth anniversary of the October Revolution in Russia. The symphony, not recorded, used a wide variety of sirens together with a renditioning of the International and Marseillaise sung by choirs and the public. Avramov rejected any distinction between performers and listeners, expecting everybody to play a part either singing or in making other industrial noises. . .

Avraamov himself pursued a self-conscious course of social and economic liberation, which he perceived embodied all Russians since the October Revolution, in this ideology sirens were seen as an ideal replacement for church bells in the Russia of the 1920s as church bells were seen as bourgeois as against the industrial and proletarian sound of sirens.