on March 4, during a performance of La forza del destino with Renata Tebaldi as Leonora and Thomas Schippers conducting, Warren suddenly collapsed and died on stage. Eyewitnesses including Rudolf Bing reported that Warren had completed Don Carlo's Act III aria, which begins Morir, tremenda cosa ("to die, a momentous thing"), and was supposed to open a sealed wallet, examine the contents and cry out "È salvo, o gioia" (He is safe, oh joy), before launching into the vigorous cabaletta. While Bing reports that Warren simply went silent and fell face-forward to the floor,[3] others state that he started coughing and gasping, and that he cried out "Help me, help me!" before falling to the floor, remaining motionless. Roald Reitan, singing the Surgeon, was on stage with Warren at the time of his death, and attempted to render aid.[1]
Posted By: Paul - Sun Dec 05, 2021 -
Comments (3)
Category: Death, Music, Noises and Other Public Disturbances of the Peace, 1960s
Bob Crewe had a master plan for the group, 'the Glitterhouse', who had been on his payroll for almost a year at the time that their first recordings came out. Crewe envisioned a one-two punch! Hit them with the 'Barbarella soundtrack album and then two months later, the Glitterhouse album, 'Color Blind'! Superstardom was surely around the corner at last for the now warehoused Glitterhouse. Big hits and big concerts? Barbarella' the single, did not happen for the Glitterhouse. The soundtrack album had some success but didn't seem to translate into any recognition for the band. The presence of the Glitterhouse was downplayed on the record and it seemed mostly a showcase for Bob Crewe and Charles Fox. The release of 'Color Blind - First Edition' was quick & quiet. A single from the album, 'Tinkerbell's Mind' made the top 50 in NYC, but died elsewhere. Any publicity was small indeed, and the band was never put out on the road or to play live. About four weeks after the release of 'Color Blind', when it was clear that the single had bombed, the Glitterhouse were taken off their meager salary, given no gigs and told to make do. Crewe had the band do some new demo's but there was also tension in the band. So, the Glitterhouse, attacked from without and within soon broke up and were readily released from their record label. One can only theorize about why the Glitterhouse were treated so shoddily by Crewe and his label. The Glitterhouse were a great live band that was never given an opportunity to play live. Crewe's company also managed them. Perhaps the label couldn't deal with a white sounding pop band fronted by a Black man. Who knows?
Posted By: Paul - Fri Dec 03, 2021 -
Comments (0)
Category: Forgotten Figures and Where Are They Now?, Music, Psychedelic, 1960s
Posted By: Alex - Sat Nov 27, 2021 -
Comments (3)
Category: Furniture, 1960s
Posted By: Alex - Fri Nov 19, 2021 -
Comments (0)
Category: Awards, Prizes, Competitions and Contests, Death, 1960s
Posted By: Paul - Sat Nov 13, 2021 -
Comments (1)
Category: Music, Television, Homages, Pastiches, Tributes and Borrowings, 1960s
Posted By: Paul - Mon Nov 08, 2021 -
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Category: Animals, Ineptness, Crudity, Talentlessness, Kitsch, and Bad Art, Cartoons, 1960s
DeFeo, who died in 1989, at age 60, is known for a single work, her astounding “Rose,” a monumental accretion of oil paint that consumed her for more than seven years. Working in her apartment on Fillmore Street, she applied pigment in gloppy impastos, then chiseled into the paint. What finally emerged was an 11-foot-tall, ash-gray slab incised with a central starburst radiating white lines. The piece (which, by a happy coincidence, is now on view in the permanent-collection galleries of the Whitney Museum of American Art) has a visionary energy and can put you in mind of William Blake’s blazing 19th-century suns.
In 1965, unable to afford a rent increase, DeFeo received an eviction notice. She worried that “The Rose” was unmovable. By then it weighed more than a ton and was too cumbersome to fit through the front door. Alternate plans were devised.... Several Bekins moving men in white jumpsuits pry “The Rose” from the wall and maneuver it out a bay window with a forklift as DeFeo sits disconsolately on a fire escape, smoking. “It was the end of ‘The Rose,’ and it was the end of Jay,” Conner said later in an interview.... She ceased working for several years,
Posted By: Paul - Wed Nov 03, 2021 -
Comments (0)
Category: Art, Excess, Overkill, Hyperbole and Too Much Is Not Enough, Bohemians, Beatniks, Hippies and Slackers, 1960s
Posted By: Alex - Tue Oct 26, 2021 -
Comments (7)
Category: Ineptness, Crudity, Talentlessness, Kitsch, and Bad Art, Television, 1960s
Posted By: Alex - Sun Oct 24, 2021 -
Comments (1)
Category: Babies, Advertising, 1960s, Men
Posted By: Alex - Sat Oct 23, 2021 -
Comments (5)
Category: Hypnotism, Mesmerism and Mind Control, Self-help Schemes, Sports, 1960s
Who We Are |
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Alex Boese Alex is the creator and curator of the Museum of Hoaxes. He's also the author of various weird, non-fiction, science-themed books such as Elephants on Acid and Psychedelic Apes. Paul Di Filippo Paul has been paid to put weird ideas into fictional form for over thirty years, in his career as a noted science fiction writer. He has recently begun blogging on many curious topics with three fellow writers at The Inferior 4+1. Contact Us |