Speaking before the September premiere of his new commission, Gaddafi: A Living Myth, English National Opera artistic director John Berry averred that it could "redefine opera".
The piece, written by members of Asian Dub Foundation, was billed in advance as a venture of extraordinary audacity, addressing contemporary politics in music that would set our old friend the Classical Music Establishment by its ears.
Some of us had doubts long before the premiere. In December 2005, writing in this paper about the state of affairs at English National Opera, I said: "A commissioned opera from Asian Dub Foundation has had to be put off - and it's not hard to guess why."
When it was finally unveiled, there was not much pleasure to be had from seeing this gloomy prognostication confirmed.
The critics did their worst: "Cliche and bombast ... "repetitive and incoherent ... laughably wooden" ... "as cynical as Simon Cowell" ... "embarrassingly redolent of sixth-form earnestness" ... "long stretches of jaw-dropping banality" ... "risible moments that look and sound like a Middle Eastern version of Springtime For Hitler". Worst of all, almost every review used the word "brave".
Posted By: Paul - Thu Jan 23, 2020 -
Comments (0)
Category: Bombast, Bloviation and Pretentiousness, Crowds, Groups, Mobs and Other Mass Movements, Dictators, Tyrants and Other Harsh Rulers, Music, Avant Garde, Twentieth Century, Twenty-first Century, Cacophony, Dissonance, White Noise and Other Sonic Assaults
Posted By: Paul - Mon Dec 23, 2019 -
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Category: Bombast, Bloviation and Pretentiousness, Ineptness, Crudity, Talentlessness, Kitsch, and Bad Art, Music, 1980s, Fictional Monsters
Posted By: Alex - Thu Apr 19, 2018 -
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Category: Bombast, Bloviation and Pretentiousness, 1990s
In June 1903 a French sugar millionaire, one Jacques Lebaudy, a dapper little man with a sharp nose and a shrill high-pitched voice who was said to have a personal fortune of some pounds 3m, recruited a dozen Breton sailors and landed them on the coast of Spanish Morocco, commanding them to go forth and establish an empire. Lebaudy then informed the French authorities that he was henceforth to be addressed as Jacques I, Najin-al-Den, Emperor of the Sahara, Commander of the Faithful, King of Tarfaia, Duke of Arleuf and Prince of Chal-Huin.
Posted By: Paul - Fri May 12, 2017 -
Comments (5)
Category: Bombast, Bloviation and Pretentiousness, Dictators, Tyrants and Other Harsh Rulers, Eccentrics, 1900s, Africa, Europe
Posted By: Alex - Sat Aug 29, 2015 -
Comments (12)
Category: Ambiguity, Uncertainty and Deliberate Obscurity, Bombast, Bloviation and Pretentiousness, Universities, Colleges, Private Schools and Academia
Posted By: Alex - Wed Jun 03, 2015 -
Comments (8)
Category: Annoying Things, Bombast, Bloviation and Pretentiousness, Surrealism, Can’t Possibly Be True
Posted By: Paul - Wed May 20, 2015 -
Comments (3)
Category: Bombast, Bloviation and Pretentiousness, Movies, Music, Bohemians, Beatniks, Hippies and Slackers, 1960s
Posted By: Paul - Sat Mar 14, 2015 -
Comments (8)
Category: Bombast, Bloviation and Pretentiousness, Business, Music, Bohemians, Beatniks, Hippies and Slackers, 1970s, Nausea, Revulsion and Disgust
Posted By: Paul - Fri Sep 12, 2014 -
Comments (5)
Category: Bombast, Bloviation and Pretentiousness, Ineptness, Crudity, Talentlessness, Kitsch, and Bad Art, Music, Religion
Posted By: Paul - Sun Apr 28, 2013 -
Comments (3)
Category: Bombast, Bloviation and Pretentiousness, Music, Twentieth Century
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Alex Boese Alex is the creator and curator of the Museum of Hoaxes. He's also the author of various weird, non-fiction, science-themed books such as Elephants on Acid and Psychedelic Apes. Paul Di Filippo Paul has been paid to put weird ideas into fictional form for over thirty years, in his career as a noted science fiction writer. He has recently begun blogging on many curious topics with three fellow writers at The Inferior 4+1. Contact Us |