Three years ago when Adriana Caselotti, above, was 18, she was a naughty little girl who listened in on the phone calls of her father, Guido Caselotti, Hollywood voice teacher. When the Walt Disney studio called one day asking him to find the right voice for Snow White, she piped "Me, me, me, how about me?" into the extension on which she had been eavesdropping. The studio liked her cheerful chirping, and she became the "voice" of the fairy story heroine. Now she hopes to become a movie actress.

In 1935, after a brief stint as a chorus girl at MGM, Walt Disney hired Caselotti as the voice of his heroine Snow White. She was paid a total of $970 for working on the film (worth approximately $16,160 as of 2011). She was under contract with Disney, and Disney prevented her from appearing in further film and other media, even for Disney, after Snow White and the Seven Dwarfs. Jack Benny specifically mentioned that he had asked Disney for permission to use her on his radio show and was told, "I'm sorry, but that voice can't be used anywhere. I don't want to spoil the illusion of Snow White." The only other work Caselotti did following her premiere was an uncredited role in MGM's The Wizard of Oz (1939); she provided the voice of Juliet during the Tin Man's song, "If I Only Had a Heart", speaking the line, "Wherefore art thou Romeo?" In 1946, she had an uncredited role in Frank Capra's It's a Wonderful Life, singing in Martini's bar as James Stewart was praying.

Many people remember reading George Orwell's "Animal Farm" in high school or college, with its chilling finale in which the farm animals looked back and forth at the tyrannical pigs and the exploitative human farmers but found it "impossible to say which was which."
That ending was altered in the 1955 animated version, which removed the humans, leaving only the nasty pigs. Another example of Hollywood butchering great literature? Yes, but in this case the film's secret producer was the Central Intelligence Agency.
The C.I.A., it seems, was worried that the public might be too influenced by Orwell's pox-on-both-their-houses critique of the capitalist humans and Communist pigs. So after his death in 1950, agents were dispatched (by none other than E. Howard Hunt, later of Watergate fame) to buy the film rights to "Animal Farm" from his widow to make its message more overtly anti-Communist.