"King Solomon" was the last sculpture that Alexander Archipenko made and the only one that he conceived as a monumental sculpture. Throughout his career, Archipenko experimented with positive and negative space in his sculptures, often using voids or holes to suggest form. In King Solomon, he placed abstract shapes together to create the vague shape of a figure. The tall prongs at the top evoke a crown, and the intersecting triangles suggest an imposing archaic costume. Archipenko captured a dramatic sense of scale, and it is easy to imagine how formidable this figure would be if enlarged to the sixty-foot-tall version that the artist envisioned.
Posted By: Paul - Wed Dec 11, 2019 -
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Category: Art, Avant Garde, Body, Criticism and Reviews, Russia, Twentieth Century
Posted By: Paul - Mon Mar 12, 2018 -
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Category: Art, Criticism and Reviews, 1950s, Russia, Obesity
Posted By: Paul - Sun Aug 14, 2011 -
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Category: Criticism and Reviews, Perfume and Cologne and Other Scents
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Alex Boese Alex is the creator and curator of the Museum of Hoaxes. He's also the author of various weird, non-fiction, science-themed books such as Elephants on Acid and Psychedelic Apes. Paul Di Filippo Paul has been paid to put weird ideas into fictional form for over thirty years, in his career as a noted science fiction writer. He has recently begun blogging on many curious topics with three fellow writers at The Inferior 4+1. Contact Us |