Spoon bending, pre-Uri Geller.
Des Moines Register - Oct 15, 1939
Hastings Morning Spotlight - Dec 27, 1938
Celebrity hairstylist
Antoine de Paris used to sleep in a glass coffin, which he claimed he would one day be buried in. He died in 1976, and whether he actually was buried in the glass coffin I haven't been able to find out.
Info from Logan Sisley:
Antoni "Antek" Cierplikowski was born in Poland in 1884 but made his name in Paris as Monsieur Antoine, hair stylist to the stars. In 1924 he purchased the top four floors of a Parisian apartment building which he set about remodelling as a School of Beauty and an apartment with sculpture studio. Construction of The House of Glass began in 1929. It occupied the upper floors of the building and contained the studio and living quarters. Glass was supplied by St Gobain, of whom Antoine claimed at one time to be the biggest client. The external walls were clad with large panes of opaque glass to eradicate the need for curtains, which Antoine believed had no place in the modern interior. The interiors were decorated extensively with glass including the staircase, a cupola, pillars, chairs and even a glass bed in the shape of a coffin, which attracted much press attention.
Dayton Daily News - Mar 25, 1932
"M. Antoine in the curious burial costume he has designed for his funeral"
From
The San Francisco Examiner - Sep 25, 1932:
It is in the arrangements for his own funeral that Antoine's genius soars to its greatest height. In life, he surrounds himself with death, so in death he will be surrounded by sparkling life. He has engaged eight beautiful models to be his pall-bearers. They have agreed to be gay and sprightly and bright at his funeral, to shed no tears nor betray any sorrow. And, if he dies and they go through the ordeal successfully, they will be rewarded by provisions in his will.
But models die, get married, get fired, while Antoine continues to live. Always he must be replacing the original ones. He picks them out for their gaiety and their good looks.
More info:
Polish Fashion Stories
Modeled recently at London Fashion Week.
More info:
Jack Irving on Instagram
I think that in the 1950s anything slightly non-conformist was labelled 'existentialist'.
This tattoo, on the back of a young Italian woman in Milan, Nov. 5, 1952, is in a new fashion taken up by young feminine followers of the post-war existentialist philosophy of Jean Paul Sartre, the French writer. The tattoo reads: "I have loved. I am grateful to God." This girl likes to be called Ginetta Sartre in honor of the leader of the movement. The tattoos are usually sentimental phrases or symbolic drawings. (AP Photo)
Wichita Eagle - Oct 27, 1952
Anyone with an existential tattoo should make sure to also wear an
existentialist hat.
Worn by actress
Shary Marshall - Apr 1967. Designed by Lynda Bird Johnson, daughter of President Johnson. The cages contained Australian Snow Finches.
The Orlando Sentinel - Apr 1, 1967
They would pair well with this
bird hat that we've previously posted about (worn by actress Jane Bough in 1968).
In 1968, the British Patent Office granted Wong Tai Tung of Hong Kong
Patent No. 1,105,147 for "Improvements in or relating to Brassiere Garments". From his patent:
The human civilization is making progress day by day. The present thinking is in favour of increasing exposure of the parts of their body, especially the female bosom which is attractive to everybody with its charm.
It is the most important point for women to have decorated brassiere garments to enhance the beauty of the bosom.
In order to meet with their requirement, I have invented a decorative metal brassiere garment. It makes the bosom appear bigger because of the twingle and sparking light of ornaments of gems and pearls on the garment.
In the early twentieth century, women began wearing low-necked, gauzy blouses. Conservative critics branded them "pneumonia blouses" — warning that they would cause the women wearing them to catch pneumonia.
More info:
Jonathan Walford's blog
Example of a pneumonia blouse
Source: Holly Vogue Vintage
I often see young women out and about, dressed completely inappropriately for the cold weather, suffering for the sake of fashion. So the spirit of the pneumonia blouse seems to be alive and well, if not the specific style.
Victorian to Vamp: Women's Clothing 1900-1929, by Paula Jean Darnell
University Daily Kansan - Mar 18, 1920
I see Paul's
electric dress and raise him the laser-emitting dress of Moritz Waldemeyer, modeled at Hussein Chalayan's catwalk show in Paris, 2007.
More info:
dezeen.com