If you decide to shop for books at LifeWay Christian Stores, you may notice that some of the books are marked Read with Discernment. This label is to warn you that these books "may have espoused thoughts, ideas, or concepts that could be considered inconsistent with historical evangelical theology."
Presumably, if a book hasn't been so tagged, everything in it can be accepted blindly without discernment.
Today we feature a guest post from that miraculous writer of the fantastical, the great Don Webb.
Take it away, Don!
Many of my generation have discovered (sometimes with the help of a certain herb) that the opening sequence of Wizard of Oz matches up with Pink Floyd's Dark Side of the Moon. Co-incidence or happenstance? Who can say? Was Pink Floyd under the "influence" of Frank Baum?
Another strange co-incidence has come to light. The lyrics of Gilligan's Island perfectly match up with Led Zeppelin's "Stairway to Heaven."
Happenstance? Then riddle me this -- why does Gilligan's Island have exactly the same theme as Jean Paul Sarte's NO EXIT?
Consider:
Each one of the characters represents one of the 7 deadly sins:
- Ginger represents LUST - she wears skimpy outfits, is obsessed with her looks, and is a borderline nymphomaniac.
- Mary Ann represents ENVY - she is jealous of Ginger's beauty.
- The Professor represents PRIDE - he is an annoying know-it-all.
- Mr. Howell represents GREED - no explanation needed.
- Mrs. Howell represents SLOTH - she has never lifted a finger to help with their escape plans.
- The Skipper represents two sins: GLUTTONY - again, no explanation needed and ANGER - he violently hits Gilligan on each show.
- This leaves Gilligan. Gilligan is the person who put them there. He prevents them from leaving by foiling all of their escape plots. Also, it is HIS island. Therefore, Gilligan is SATAN.
One of the weirdest books you'll ever read is by my pal, Steve Aylett, and it's titled Lint. (You can order it through the Amazon link below.)
Lint is the "biography" of Jeff Lint, poverty-stricken, mad genius, hack writer, who is basically a cross between Kilgore Trout and Salvador Dali.
One of Lint's fictional creations was a comic-book character dubbed "The Caterer." And now you can read an actual issue of this gonzo masterpiece, thanks to Floating World Comics. A sample is to the right.
You must investigate this saga of one man and his senseless quest for perfect absurdity in a violent world, or risk being rendered null and void!
I'll be away in Seattle from Friday October 10 through Monday October 13, attending the launch party of my new novel, Cosmocopia. But I've stacked up four posts in the queue, all new FOLLIES OF THE MAD MEN. Enjoy!
This article in today's NEW YORK TIMES tells us about "Street Wars," a game played in urban environments by players determined to "kill" each other. Several precedents for this game are cited in the article, but the writer misses the most important and primal one: A 1953 story by famed and beloved SF writer Robert Sheckley, titled "The Seventh Victim."
The story was later filmed as THE 10TH VICTIM. Its most famous scene: Ursula Andress using guns concealed in her bra, as seen in the second clip below.
I started thinking about contortionists again when I happened upon a feature on them in an old issue of Life. In my novel Spondulix I had a character who was an "enter-ologist," a great term I found in Ricky Jay's wonderful history of sideshows and freaks, Learned Pigs and Fireproof Women. Enter-ologists get into impossible places, rather than escape from impossible places.
In any case, a short search of the web turned up lots of online contortionist info, including the Contortion Home Page, which is where I found this pic of April Tatro. That's her in the video below as well.
Paul Di Filippo
Paul has been paid to put weird ideas into fictional form for over thirty years, in his career as a noted science fiction writer. He has recently begun blogging on many curious topics with three fellow writers at The Inferior 4+1.