In the Parque del Retiro (Retiro’s Park) in Madrid, Ines Sastre runs to meet Javier Bardem who is waiting for her with his arms wide open and they embrace one another in a passionate kiss. This only one shot which lasts one minute twenty seconds is subjected to a hundred and thirteen changes for one hour and seventeen minutes. “I wanted to exhaust the possibilities of changing a shot by changing the music, the colours, by burning it, by making some holes…” remembers Aguirre; “sometimes, the heads are not visible, or we can only see her legs, or the image seems to be scrapped off”… /… the variations of this shot are preceded by the ones of another couple taken in the beach of La Concha in San Sebastian that maybe acts as a suggestion of a merely real support for this ideal meeting. The images are accompanied by not only Borges’ voice-over but also Fernando Fernan-Gomez and Francisco Rabal’s voices-over among some not so well-known other voices …/ … disparate prints, sometimes unpredictable, that Borges’ literature proposed to moviemakers of this period and from distant cultures. It is the disparity of Javier Aguirre’s experimentation along with the contradiction that seems us so provocative.
Posted By: Paul - Fri Dec 06, 2019 -
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Category: Annoying Things, Excess, Overkill, Hyperbole and Too Much Is Not Enough, Movies, Avant Garde, Twenty-first Century, Love & Romance
Posted By: Alex - Tue Nov 26, 2019 -
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Category: 1920s, Weddings, Love & Romance
Sabrina Sidney, was a British foundling girl taken in when she was 12 by author Thomas Day, who wanted to mould her into his perfect wife. Day had been struggling to find a wife who would share his ideology and had been rejected by several women. Inspired by Jean-Jacques Rousseau's book Emile, or On Education, he decided to educate two girls without any frivolities, using his own concepts.
In 1769, Day and his barrister friend, John Bicknell, chose Sidney and another girl, Lucretia, from orphanages, and falsely declared they would be indentured to Day's friend Richard Lovell Edgeworth. Day took the girls to France to begin Rousseau's methods of education in isolation. After a short time, he returned to Lichfield with only Sidney, having deemed Lucretia inappropriate for his experiment. He used unusual, eccentric, and sometimes cruel, techniques to try to increase her fortitude, such as firing blanks at her skirts, dripping hot wax on her arms, and having her wade into a lake fully dressed to test her resilience to cold water.
Posted By: Paul - Tue May 07, 2019 -
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Category: Eccentrics, Education, Husbands, Wives, Eighteenth Century, Nineteenth Century, Love & Romance
Posted By: Paul - Wed May 01, 2019 -
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Category: Humor, Music, Oceans and Maritime Pursuits, 1940s, Love & Romance
Posted By: Paul - Tue Apr 02, 2019 -
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Category: Business, Advertising, Corporate Mascots, Icons and Spokesbeings, Puppets and Automatons, Coffee and other Legal Stimulants, Marriage, 1930s, Love & Romance
Posted By: Paul - Sat Feb 23, 2019 -
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Category: Ineptness, Crudity, Talentlessness, Kitsch, and Bad Art, Movies, Sexuality, Stereotypes and Cliches, Foreign Customs, 1960s, Love & Romance
Posted By: Alex - Fri Nov 23, 2018 -
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Category: Business, Emotions, Love & Romance
Posted By: Alex - Sun Nov 18, 2018 -
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Category: AI, Robots and Other Automatons, Marriage, Love & Romance
Posted By: Alex - Fri Oct 12, 2018 -
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Category: Inventions, Technology, AI, Robots and Other Automatons, Love & Romance
Posted By: Alex - Tue Aug 14, 2018 -
Comments (8)
Category: Technology, AI, Robots and Other Automatons, Love & Romance
Who We Are |
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Alex Boese Alex is the creator and curator of the Museum of Hoaxes. He's also the author of various weird, non-fiction, science-themed books such as Elephants on Acid and Psychedelic Apes. Paul Di Filippo Paul has been paid to put weird ideas into fictional form for over thirty years, in his career as a noted science fiction writer. He has recently begun blogging on many curious topics with three fellow writers at The Inferior 4+1. Contact Us |