The ushers, with contribution plates, started on their rounds. The evangelist said she had instructed them to say "Amen" whenever 25 cents was dropped into the plate; when 50 cents the usher was to say "Hallelujah!" and when $1 the usher was to say "Glory hallelujah!" in a loud tone. The collection amounted to $1,100...

the evangelist knew that no person with money to give would be content with an "Amen" when a neighbor, sitting in the next pew, was acclaimed with a "Glory hallelujah!"

One after-image, which psychologists believe has given rise to many reports of nocturnal apparitions, is called "Swindle's Ghost." It was first described by the American psychologist P.F. Swindle, about 45 years ago.

It can be summoned up by anybody. Using no more ectoplasm than a table lamp, friends can join you in this weird experiment, right in your own living room. Choose a dark moonless night and draw the drapes securely so that no stray light from street lamps or passing cars enters the room. Group the chairs near a table or floor lamp with one person directly alongside it to switch it on and off.

First, everyone must remain in the darkened room for at least 10 minutes before the experiment begins, so that the eyes can adjust completely to the darkness. Then, each ghosthunter must look steadily toward the lamp but not directly at it. They must keep perfectly still and keep the eyes from moving during the time the room will be illuminated and immediately afterward.

Now turn on the lamp for a full second. Turn it off. Shortly after you will see the whole scene loom up in the darkness with startling clarity, and the ghost impression will last for some time. Not only will everything appear exactly as it was when the light was on, but many precise details will be evident which could not possibly have been noted during the brief illumination...

The same optical illusion occurs when someone reports that he has seen a ghost in a graveyard at night. If a man is passing a graveyard at night and the moon breaks through the clouds just as he is opposite a white tombstone, in a few minutes he might see a vague white form loom up before him. The moon's illumination has created the 'ghost' which the man actually does see, but which is only an after-image— in the image of "Swindle's Ghost."

Swindle observed that if one experiences a very bright flash, one achieves a very powerful positive afterimage that may last over a period of hours. "Swindle's Ghost," as it is referred to occasionally, is a conscious image sustained purely by cortical activity; it is an image created by a stimulus that is not present during later observation. In spite of the absence of a distal stimulus, the image is very real. Observations by Gregory, Wallace, and Campbell (1959) and Davies (1973) attests to just how real it is; if a Swindle's Ghost image is a corridor, and one walks down it in total darkness, one seems to be walking, briefly, through his or her own afterimage.

Taking a hypothetical issue, such as a man and woman deciding whether or not to go out to dinner, information is fed into the panels. One represents the man; the other, the woman.

Each subject uses dials that represent four areas — compliance with society, attention to own desire, social pressure and personal inclination. The personal inclination and social pressure gauges are intricately detailed to show adamant 'yes' or 'no' responses, or degrees such as strong preference, or very much or some.

Attention to desire is measured in readings of low, medium and high, as is compliance with society.

As the subjects feed this information into the panels, other gauges measure tension, feelings, guilt or pride, emotional independence, like and dislike, and influence, based on each decision.

The machine does the thinking, lights a decision of 'yes' or 'no' and tells the subjects their emotional responses....

In a marriage situation, Hollander said the device could show the individuals why something is going wrong in the relationship if arguments are portrayed and feelings defined.

"I wanted to pick out the ambiguities of the woman/man relationship," he pointed out.

The decision voltage output of the man-simulator is connected to the threshold detector of the woman-simulator via a sense port. Similarly, the woman-simulator has a decision voltage output port connected to a sense port and input to the level threshold detector of the man-simulator. A switch interrupts each output so that the effect of relationship can be shown. By adjustment and interpretation of the dial settings and decision indications, paradoxes and problems in man-woman relationships are demonstrated.

Perhaps the strangest fact to emerge from the reports was that people watch programs even though they are tired of them. Some of those surveyed were quite hostile to the spate of westerns on TV, but they watched westerns anyway.

Three months ago, a 17-year-old girl from a small town in western Kansas was admitted to Wichita's Wesley Medical Center with a strange malady. Her neck was stiff, her hands trembled, and she was periodically seized by fits of terror. She would jerk her arms spasmodically and scream, "Sharks! Sharks!"
During these attacks, which always occurred at night, she appeared to be unaware of the world around her, and she didn't respond when people spoke to her.
Over the next three days, while doctors ruled out the possibility that she had meningitis or some other neurological problem, she had five of these attacks.
In between these episodes of terror, she talked with neurologist Arnold Barnett about her problem.
It seems that three days before admission, she had seen the motion picture "Jaws," movie history's biggest money-maker, which chronicles the bloody activities of a shark that terrorizes swimmers off the shores of Long Island.
Later that evening, after discussing the film with her friends, she became frightened and upset. She had her first attack the next day.
Barnett treated the girl with sedatives and reassuring conversation. He emphasized the unlikelihood of a shark attack in western Kansas.

Patient A, a 54-year-old woman, consulted the emergency department with her brother for acute attacks of deviant behavior, expressing the belief that she was a chicken and displaying behavior reminiscent of it.

Clinically, we saw a lady profusely sweating, trembling, blowing her cheeks and displaying stereotypical behavior in which she seemed to imitate a chicken, such as clucking, cackling and crowing like a rooster. After ten minutes, she seemed to tense the muscles for a few seconds, her face flushed and she did not respond for a short time. These symptoms repeated at intervals of several minutes, between which anamnesis was possible. The patient's consciousness was fluctuating, attention was hyper-reactive and the patient was disoriented in time and space. Her memory could not be tested objectively, but she could adequately tell her history.

She said she had barely slept since five days and wandered barefoot and dressed in a dressing gown on the street at around 4 a.m. the previous night. A general feeling of unwellness had been present for several days, as well as a strange feeling in the limbs, as if they no longer fit her body and flapped uncontrollably. The patient expressed the thought of being a chicken and that they had been forgotten to roost her.

Patient's brother added that he found her in the garden in the same condition as we saw her now. Between that moment and the registration with us, the bizarre behavior in attacks occurred.

While participants without any dieting experience seemed to be unaffected by the bitten dessert, those with dieting experience who viewed the bitten dessert responded more favorably (higher purchase intentions, desirability evaluations, etc.) than those who viewed the cut and whole desserts. These findings were expected as research has shown that dieters differ from non dieters in their responses to food cues (Frank, Kim, Krzemien, & Van Vugt, 2010)...
These findings explain that the bitten dessert is percieved as more real and authentic in comparison to the cut and whole dessert, and, thus, these perceptions of realness resulted in its positive evaluations. After the bitten dessert, the cut dessert was perceived as being the next most real, with the whole dessert being viewed as the least real of the three.