The First Living Work of Art
In 1961, German artist Timm Ulrichs put himself on display inside a glass case and called himself the "first living work of art" (erstes lebendes Kunstwerk). He repeated this performance at various times throughout his career.
Artmap.com explains: "Instead of found objects, Ulrichs uses his own body. A simple and simultaneously great idea: whereas with Duchamp the producer and the work were still separated, in the case of Timm Ulrichs, the artist and the work are one and the same."
A "great idea" is one way to describe it.
Some more examples of Ulrich's art:
Artmap.com explains: "Instead of found objects, Ulrichs uses his own body. A simple and simultaneously great idea: whereas with Duchamp the producer and the work were still separated, in the case of Timm Ulrichs, the artist and the work are one and the same."
A "great idea" is one way to describe it.
Some more examples of Ulrich's art:
In 1962, Timm Ulrichs signed his own body. His name was engraved as a tattoo on his upper arm.
In 1963, he tracked his heartbeat with a stethoscope. He broadcast it on a loudspeaker and exhibited the medical record as a musical score.
In 1966, Timm Ulrichs showed the tanning of his skin as a filmic process for the first time. The covered, untanned areas of his back, in contrast to the tanned areas, slowly reveal the word “Hautfilm” [skin film].
In 1969, Timm Ulrichs became a sperm donor at the Bremen sperm bank – ironically referring to Walter Benjamin’s essay “The Work of Art in the Age of its Technological Reproducibility”.
In 1973, Timm Ulrichs ate for one year according to the average consumption of Germans, precisely observing the consumption of milk, bread, and cigarettes. Four cigarettes a day.
In 1978, using professional police equipment, Timm Ulrichs had a facial composite of his own face made.
In 1963, he tracked his heartbeat with a stethoscope. He broadcast it on a loudspeaker and exhibited the medical record as a musical score.
In 1966, Timm Ulrichs showed the tanning of his skin as a filmic process for the first time. The covered, untanned areas of his back, in contrast to the tanned areas, slowly reveal the word “Hautfilm” [skin film].
In 1969, Timm Ulrichs became a sperm donor at the Bremen sperm bank – ironically referring to Walter Benjamin’s essay “The Work of Art in the Age of its Technological Reproducibility”.
In 1973, Timm Ulrichs ate for one year according to the average consumption of Germans, precisely observing the consumption of milk, bread, and cigarettes. Four cigarettes a day.
In 1978, using professional police equipment, Timm Ulrichs had a facial composite of his own face made.
Comments
One, he references Duchamp, and I'm pretty sure some Dadaist did this before him.
Two, he's no David Blaine, and that's not meant as a compliment to David Blaine.
Two, he's no David Blaine, and that's not meant as a compliment to David Blaine.
Posted by Richard Bos on 11/02/24 at 02:09 PM
Elon Musk must have been very inspired by this artist, as he also considers himself a living work of art. Musk even give out tiny samples of himself to fans. Watch out his future Mars installation, which he will populate with a lot of living works of art.
Posted by Yudith on 11/05/24 at 09:09 AM
Category: Art | Body | 1960s