In the Parque del Retiro (Retiro’s Park) in Madrid, Ines Sastre runs to meet Javier Bardem who is waiting for her with his arms wide open and they embrace one another in a passionate kiss. This only one shot which lasts one minute twenty seconds is subjected to a hundred and thirteen changes for one hour and seventeen minutes. “I wanted to exhaust the possibilities of changing a shot by changing the music, the colours, by burning it, by making some holes…” remembers Aguirre; “sometimes, the heads are not visible, or we can only see her legs, or the image seems to be scrapped off”… /… the variations of this shot are preceded by the ones of another couple taken in the beach of La Concha in San Sebastian that maybe acts as a suggestion of a merely real support for this ideal meeting. The images are accompanied by not only Borges’ voice-over but also Fernando Fernan-Gomez and Francisco Rabal’s voices-over among some not so well-known other voices …/ … disparate prints, sometimes unpredictable, that Borges’ literature proposed to moviemakers of this period and from distant cultures. It is the disparity of Javier Aguirre’s experimentation along with the contradiction that seems us so provocative.
Category: Annoying Things | Excess, Overkill, Hyperbole and Too Much Is Not Enough | Movies | Avant Garde | Twenty-first Century | Love & Romance